What is it about an isolated mountain lodge, a fresh blanket of snow, and a family with too many secrets that sets our hearts racing? In the classic tradition of closed-circle mysteries, the elite family drama is nothing without the tangled web of betrayals simmering beneath polite conversation. Drawing from my own novel, Midnight in the Aravis, I’ll explore how layering loyalties and rivalries among privileged characters not only fuels tension—but keeps readers utterly gripped until the final page.

I’m thrilled to announce that Murder Most Dramatic, the second book in the Paula Langford series, is now available for pre-order on Amazon Kindle! Mark your calendars because it officially launches on August 11th—and the best part? It’ll be available on Kindle Unlimited from day one, plus in paperback for those who love holding a physical mystery in their hands (bonus: perfect for those lazy beach days or cosy armchair escapes).

What makes a cosy mystery so—well, cosy? For me, it’s the setting: that small town where everyone knows your favourite biscuit, but no one ever knows the whole story. Whether it’s the winding lanes of Brightcombe, the flower-lined high street of St. Mary Mead, or any snug little village with a cafe and a secret or two, the setting does more than provide a pretty backdrop—it becomes a central character in the tale.

There is something deliciously satisfying about curling up with a mystery in which the smartest person in the room is not a badge-wearing detective but an apparently ordinary soul whose greatest weapons are curiosity and kindness. From the first page or first frame we know the police will arrive with clipboards and caution tape, yet deep down we are already waiting for the unqualified outsider—someone who bakes scones for the church fête or files library cards—to sidle into the case and quietly outwit everyone in authority. That spark of anticipation is what keeps me turning pages and hitting “next episode,” because nothing warms the heart quite like seeing a regular neighbour refuse to let evil have the final word.